Keywords: ویبرتو; Vibrato; Singing power ratio; Pitch accuracy; Workout; Bel canto;
مقالات ISI ویبرتو (ترجمه نشده)
مقالات زیر هنوز به فارسی ترجمه نشده اند.
در صورتی که به ترجمه آماده هر یک از مقالات زیر نیاز داشته باشید، می توانید سفارش دهید تا مترجمان با تجربه این مجموعه در اسرع وقت آن را برای شما ترجمه نمایند.
در صورتی که به ترجمه آماده هر یک از مقالات زیر نیاز داشته باشید، می توانید سفارش دهید تا مترجمان با تجربه این مجموعه در اسرع وقت آن را برای شما ترجمه نمایند.
Keywords: ویبرتو; Vibrato; Nonvibrato; Vibrato rate; Vibrato extent; Voice training;
Keywords: ویبرتو; Vibrato; Tempo; Mordent; Spectral subtraction; Pitch;
Keywords: ویبرتو; Auditory; Perception; Vibrato; Singers and nonsingers; Singer's overall performance
Keywords: ویبرتو; Breathing; Imagery; Vibrato; Warm-up; Tone quality; Classical female singers
Keywords: ویبرتو; Singing voice; Vibrato; Singing formant; Western operatic; Jazz; Singing style; Acoustic analysis;
Keywords: ویبرتو; Vibrato; Singing; Emotion; Vibrato extent; Vibrato rate; Modulation
Keywords: ویبرتو; Musical Theater; Belting; Vocal tract; Magnetic resonance imaging; Vibrato; Chest voice; Head voice; Modal register;
Keywords: ویبرتو; Operatic technique; Singing; Acoustical analysis; Vibrato; Energy distribution; Vocal perturbation
Blend in Singing Ensemble Performance: Vibrato Production in a Vocal Quartet
Keywords: ویبرتو; Vibrato; Singing; Blend; Ensemble singing; Choral;
Perception of Non-Vibrato Sung Tones: A Pilot Study
Keywords: ویبرتو; vibrato; non-vibrato; perception; rate; extent;
The Effect of Timbre, Pitch, and Vibrato on Vocal Pitch-Matching Accuracy
Keywords: ویبرتو; Pitch perception; Vocal quality; Formant frequency; Vibrato; Timbre;
Can Inexperienced Listeners Hear Who Is Flat? The Role of Timbre and Vibrato
Keywords: ویبرتو; Pitch perception; Timbre; Formant frequency; Vibrato;
Changes in Glottal Contact Quotient During Resonance Tube Phonation and Phonation With Vibrato
Keywords: ویبرتو; Contact quotient; EGG; Semioccluded vocal tract; Resonance tube; Vibrato
Acoustic Characteristics of Modern Greek Orthodox Church Music
Keywords: ویبرتو; Singing; Greek Orthodox Church Music; Byzantine music; Byzantine chant; Ecclesiastical speech; Western opera; Long-time average spectrum; Scale-tone intervals; Singer's formant; Speaker's formant; Vibrato; Spectrum slope;
Singer and Listener Perception of Vocal Warm-Up
Keywords: ویبرتو; Vocal warm-up; Perception; Tone quality; Vibrato;
Change in Messa di Voce Characteristics During 3 Years of Classical Singing Training at the Tertiary Level
Keywords: ویبرتو; Singing; Longitudinal; Messa di voce; Vibrato;
Acoustical Study of Classical Peking Opera Singing
Keywords: ویبرتو; Singing; Classical Peking opera; Long-term-average spectrum; Scale tone intervals; Singer’s formant cluster; Vibrato; Spectrum slope
Quantitative voice quality analyses of a soprano singing early music in three different performance styles
Keywords: ویبرتو; Soprano voice quality; Electrolaryngograph; Spectrograph; Hearing modelling spectrography; Vibrato; Larynx closed quotient; Early music
Influence of Emotional Expression, Loudness, and Gender on the Acoustic Parameters of Vibrato in Classical Singers
Keywords: ویبرتو; Vibrato; Emotion; Singing voice; Acoustical analysis;
Acoustic Parameters Critical for an Appropriate Vibrato
Keywords: ویبرتو; Vibrato; Opera; Modulation frequency; Modulation depth; Synthesis; Vocoder;
Activity Patterns in Latissimus Dorsi and Sternocleidomastoid in Classical Singers
Keywords: ویبرتو; Respiration; Voice; Coloratura; Vibrato; Vocal projection; Posture; Electromyography; Plethysmography;
Can Listeners Hear How Many Singers are Singing? The Effect of Listener's Experience, Vibrato, Onset, and Formant Frequency on the Perception of Number of Simultaneous Singers
Keywords: ویبرتو; Onset; Voice category; Spectral difference; Vibrato; Listener's experience; Perception; Simultaneous singers;
Characteristics of Vibrator Use by Gay and Bisexually Identified Men in the United States
Keywords: ویبرتو; Ga; Bisexua; Vibrato; Sexual Healt;
The Characterization of the Vibrato in Lyric and Sertanejo Singing Styles: Acoustic and Perceptual Auditory Aspects
Keywords: ویبرتو; Voice; Speech acoustics; Music; Auditory perception; Vibrato; Vibrato comparison
Analyzing several musical instrument tones using the randomly modulated periodicity model
Keywords: ویبرتو; Signal coherence; Signal-to-modulation-noise ratio; Random amplitude modulation; Vibrato; Musical instruments
Laryngeal-Level Amplitude Modulation in Vibrato
Keywords: ویبرتو; Vibrato; Amplitude modulation; Electroglottography; Acoustic;
Vocal Tremor and Vibrato in the Same Person: Acoustic and Electromyographic Differences
Keywords: ویبرتو; Vibrato; Tremor; Electromyography; Acoustics
Laryngeal Muscle Activity in Giggle: A Damped Oscillation Model
Keywords: ویبرتو; Laughter; Giggle; Vocalization; Vibrato; Trillo; Electromyography
Acoustic and perceptual assessment of vibrato quality of singing students
Keywords: ویبرتو; Vibrato; Singing; Periodicity
Videofluoroscopic and Laryngoscopic Evaluation of the Upper Airway and Larynx of Professional Bassoon Players
Keywords: ویبرتو; Bassoon; Upper airway; Vibrato
Automatic detection of vibrato in monophonic music
Keywords: ویبرتو; Vibrato; Monophonic music; Probability of vibrato existence;
Effects of Topical Anesthetic and Flexible Fiberoptic Laryngoscopy on Professional Sopranos
Keywords: ویبرتو; Operatic singing; Anesthetic; Laryngoscopy; LTAS; Vibrato; Perception; Acoustic analysis;