Article ID | Journal | Published Year | Pages | File Type |
---|---|---|---|---|
1038634 | Journal of Cultural Heritage | 2009 | 8 Pages |
Organic binding media found in paintings exhibit characteristic fluorescence properties that strictly correlate with their chemical composition and may vary as a function of the ageing time. The aim of this work was to investigate the capability of microspectrofluorometry to distinguish between different binders. Linseed oil and protein-based media, deposited as thin films on microscope glass slides both in the presence and in the absence of inorganic pigments, were examined before and after artificial photo-ageing. Cross-sections of some paint layers were also examined. The article points out that microspectrofluorometry coupled with deconvolution analysis can be a useful tool for distinguishing between oil- and protein-based media. The curve-fitting analysis furnished a fine characterization of each binder/pigment combination, and highlighted the small spectral differences between their fluorescence signals.