Article ID | Journal | Published Year | Pages | File Type |
---|---|---|---|---|
10520283 | Russian Literature | 2012 | 20 Pages |
Abstract
The paper presents a survey of stable compositional models and basic components of Maiakovskiiʼs imagery system found by the poet as early as in his cycle book I! (Ia!). A new viewpoint is proposed on the problem of the subject of utterance in the notorious verse “I like to watch children die” (“Ia liubliu smotretʼ, kak umiraiut deti”); the original way of treating the “father and son” conflict in the culmination point of the cycle ('Some words about myself' - 'Neskolʼko slov obo mne samom') is accounted for. It is demonstrated that the search for an idealistic incarnation of “paternity” obtains a further development in the poem 'Listen!' ('Poslushaite!'), inspired by Francis Jammeʼs lyric poetry, and further in the poems for children 'What is good and what is bad?' ('Chto takoe khorosho i chto takoe plokho?'). The genre and stylistic conventionality of poetry for children makes it possible for the author to interpret the situation from the position of a wise father and solve all the contradictions in a space dominated by the artistʼs rational and humane will. 'What is good and what is bad?' is a rendering of the eternal problem of good and evil in childrenʼs language, the problem from which Maiakovskiiʼs development as a poet started. The authors of the paper arrive at the conclusion that the cycle I! is not a mere precursor of Maiakovskiiʼs further development but it appears to be the prototype of his artistic world.
Related Topics
Social Sciences and Humanities
Arts and Humanities
Language and Linguistics
Authors
Ð.Ю. ÐолÑÑÑÑ
ин, Ð.Ð. ÐлекÑандÑова,