Article ID Journal Published Year Pages File Type
1062241 Political Geography 2010 14 Pages PDF
Abstract

In late modern war visuality plays a vital role in both the conduct and the rationalization of military violence. This essay explores the techno-cultural apparatus of US military operations and media briefings in occupied Baghdad from 2003 to 2007. It traces the visual reconfiguration of the city as a space of events rather than purely objects. These digital mappings were an intrinsic part of the US Army’s counterinsurgency strategy, and their performances were punctuated by a dialectical interplay of geopolitical and biopolitical imaginaries that was focal to the abstraction and legitimation of American military intervention.

Related Topics
Social Sciences and Humanities Arts and Humanities History
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