Article ID | Journal | Published Year | Pages | File Type |
---|---|---|---|---|
1103761 | Russian Literature | 2016 | 11 Pages |
Abstract
The article explores Boris Akunin's The Seagull (2000) as a postmodern detective story. Akunin exploits and simultaneously makes light of the basic concepts of postmodernism: parodic and intertextual stance, the erasure of the line between high and mass literature, a mixing up of genres, a non-linear plot, emphasized theatricality, and metafictionalilty. It also discusses Akunin as a representative of intellectual mainstream fiction, and intertextuality is both a discursive tool of the postmodern scepticism toward cultural heritage, and a defense mechanism of culture.
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Social Sciences and Humanities
Arts and Humanities
Language and Linguistics
Authors
Lyudmila Parts,