Ритм в философско-эстетических исканиях Андрея Белого и в Истории становления самосознающей души в контексте исканий его времени

This article explores the history of the understanding of rhythm in contemporary Russian aesthetics. Against this background, it considers the formation and development of the concept of rhythm within Andrei Belyiʼs individual philosophical and aesthetic frame of reference from his early critical works and verse studies of the epoch of Symbolism to Istoriia stanovleniia samosoznaiushchei dushi (ISSD) and the later works.