Article ID Journal Published Year Pages File Type
1104310 Russian Literature 2008 48 Pages PDF
Abstract

The present article focuses on Lermontov's experiments in the field of the dramatic genre. The formal aspects of his plays, such as the composition, configuration, constellation as well as the role of the hero and the heroine will be analysed here. All plays, including the various versions of Maskarad, will be discussed in chronological order. The analysis aims to reassess the common notion that Lermontov's drama's were only a prelude to his prose. It is argued here that Lermontov made a serious contribution to the development of Russian drama.

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Social Sciences and Humanities Arts and Humanities Language and Linguistics