The Romanian Village and Radiophonic Production - Social Dramaturgy and Social Memory

Under the spectrum of identity crisis, the village becomes, in the collective mind, the quintessence of traits of a spiritual space. Hence, the acute need of authenticity and the tendency of intensifying the journalistic approaches, reminding sometimes of the neorealist trend in cinematography. Reconstituting the present is the topic of a constant oscillation between hyperaesthetic and anti-hyperaesthetic (in order to avoid the idyllic evocation), real-imaginary (as it is and as it was the functioning of variants in which folk creations and implicitly, folk reconstitutions being considered as inevitable), objectivity- bias (negative journalism being a side of a practice that becomes more and more aggressive). The reconstitution of the present in the rural space implies difficulties in selecting the identification marks: topic, characters and symbolic space. Their approach is carried out through the respect of life ritualization, having as a central focus point the identity issue and the study of social relationships. At a brief analysis of human resources employed directly in radiophonic production at Regional Radio Romania we arrived at the following data that can give us a clue on the profile of the journalist at the regional public radio: The demographic profile of the public results from the audience surveys carried out at national level and analyzed by Gold Group of the Romanian Society of Radio-broadcasting. The Editorial Profile. The regional public radio and the public radio specialized in reflecting rural civilization are the promoters of keeping an archive, of maintaining the authentic musical record library with the help of which we can reconstitute the spiritual profile for the Romanian rural environment and with the help of which we can reconstruct “the social face”(Erving Goffman). Oral history has the greatest impact by radiophonic broadcasts, because it is based upon the creation of empathy, an immediate reaction to direct style. It constitutes itself as identity discourse. Identity and memory are inter-conditioned. Collective memory is a meta-memory, a complex social representation. It is a model of valuation, endowed with a role of community pedagogy (M. Halbwachs). Radiophonic broadcasts on the rural environment are a memorial story and constitute themselves in a projection of identity. Through them, through the tendency of recovery of patterns, society can avoid and win over the identity crisis.