Article ID | Journal | Published Year | Pages | File Type |
---|---|---|---|---|
1120082 | Procedia - Social and Behavioral Sciences | 2012 | 6 Pages |
Abstract
A retrospective view of the dramatic works that define the first “revolutionary” decade allows the identification of certain composition patterns, of certain clichés which ideatically structure these plays which bare the clear marks of the ideological climate. Playwrights who shaped the age, being included in textbooks and becoming recommended models for the engagement in supporting social change fell into desuetude and were forgotten. What remains aesthetically valid in these creations?
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