Article ID | Journal | Published Year | Pages | File Type |
---|---|---|---|---|
7534199 | Russian Literature | 2015 | 18 Pages |
Abstract
In this article two contrasting types of visuality, embodied in the poetry of Vladimir Maiakovskii and Boris Pasternak, are analysed. The principle of visuality is primarily regarded as a specific form of artistic sensitivity, organically linked with the translatability of verbal signs into the language of visual images. Between Maiakovskii's and Pasternak's poetic worlds there are essential differences, but a number of points of contact as well.
Keywords
Related Topics
Social Sciences and Humanities
Arts and Humanities
Language and Linguistics
Authors
Anna Han,