Article ID Journal Published Year Pages File Type
7534199 Russian Literature 2015 18 Pages PDF
Abstract
In this article two contrasting types of visuality, embodied in the poetry of Vladimir Maiakovskii and Boris Pasternak, are analysed. The principle of visuality is primarily regarded as a specific form of artistic sensitivity, organically linked with the translatability of verbal signs into the language of visual images. Between Maiakovskii's and Pasternak's poetic worlds there are essential differences, but a number of points of contact as well.
Related Topics
Social Sciences and Humanities Arts and Humanities Language and Linguistics
Authors
,