Exposing the seventeenth-century optical camera obscura

Did Vermeer van Delft create some of his paintings by means of a camera obscura? This still undecided question has stirred up heated debates. For some, the mere idea is an inexcusable insult on a great artist. All this heat has drawn attention away from a rich seam of questioning: what was the seventeenth-century camera obscura really like? And did it shape the ways in which Vermeer's contemporaries viewed, imagined, understood and, for that matter, rendered the visual world?