Mismatches between objective parameters and measured perception assessment in room acoustics: A holistic approach

• 576 receivers for RIRs in 16 concert halls determine 18 acoustic parameters.
• Perceived acoustic sensations are evaluated in real concerts by 1284 questionnaires.
• Correlations between parametric and perceptive evaluation are analysed through MDS.
• Statistical analyses show discrepancies between objective and perceptual assessment.
• A preference-rating formula using orthogonal objective data is developed.

Psychoacoustic research in the field of concert halls has revealed that many aspects concerning listening perception have yet to be totally understood. On the one hand, the objective room acoustics of performance spaces are reflected in parameters, some standardized and some not, but these are related to a limited number of perceptual attributes of human response. In general, these objective parameters cannot accurately describe the acoustic details due to their inherent simplification. Under these premises, impulse responses (576 receivers) are measured in 16 concert halls, according to standard procedures, and the perception and satisfaction of the occupants of the rooms are evaluated by completing a questionnaire during live concerts. Correlation analyses and multidimensional scaling (MDS) techniques have been applied to spatial and multi-band averaged values of the acoustic parameters studied (18), and the average values of users' responses (1284) to the questionnaire items (26). As a first result, correlations between objective parameters and users' responses show that transversality exists between them. Secondly, hierarchical clustering produces the classification of survey questions in 7 hierarchical classes. On the other hand, a lack of tuning between objective parameters and perceptual responses is observed on applying MDS analysis to the ordination of the venues from a subjective assessment and a subjective-objective assessment. Finally, although the results show the mismatch between objective parameters and subjective responses, a model of subjective global evaluation of the acoustics of the room from data of three orthogonal acoustic parameters is implemented, revealing a reasonably good fit.