Futures of art in retrospect

This article questions certain current assumptions taken as decisive for the future of art. One such notion is that the future of art can be predicated on media technologies. But art history is not a straightforward progression from one state of media practice to another. Art does not respond to the paradigm shifts which are normal to the advance of science. The impasse struck by early 20th century avantgarde modernist innovation would seem to underpin a necessary cultural transition to the time-based and networked collaborative practices of electronic technology in the aesthetic sector. This paper challenges that assumption and puts in question the very nature of art history itself. Artistic originality is not simply unpredictable but a conundrum of negative dormancy resistant to futurist study as explored in these pages. Art does not submit to forecasting, programming or normalization. In this sense, art has no future.