Soundscapes of Digital Morphogenesis in Architecture which Created from Musical Algorithm

Music and architecture have made use of mathematical proportions throughout the history for the purpose of creating acoustic and visual forms. The reason for this is the aesthetic pursuit of both disciplines since centuries. Mathematics is one of the most important factors that influence aesthetic results. While forming their abstract aesthetic compositions the musicians use the musical notes that have definite frequency values. Each of these frequency values are defined by one integer. Every classical music artist uses the fractal sequencing of these frequencies. On the other hand we encounter hundreds of silent formats which are produced using mathematical ideas. In this context if we think of the interdisciplinary interaction between music and architecture no form is ever silent. In this study, the intersection of two disciplines will be examined in the perspective of architecture; a stumper and interrogative start for pursuit of architectural forms of the present day with the transformation of auditory forms to visual forms will be made; and a basis will be provided to be able to discuss the innovations that the spaces, structures and auditory experiences which can be formed by obtaining musical codes bring.