Rereading Mircea Eliade's Youth Without Youth, a story of suspicion and camouflage

The article argues that Mircea Eliade's 1976 novella Youth Without Youth (which has been recently turned into a film by Francis Ford Coppola) offers an intriguing literary illustration of the concept of 'camouflage' so prominent in Eliade's scholarly writings. Youth Without Youth, revolving around the paradoxes of aging and of (biological) time, develops as a fantastic reverie, a mysterious gnostic parable under the appearances of a work of science fiction, and ultimately becomes a sort of rebus, made up of a large number of suggested enigmas within enigmas. It is, at the same time, an opportunity for the author to revisit phantasmatically a dramatic period of his life - the year 1938. Historical reality becomes fantastic, charged with symbols and riddles. The Eliadean dialectic between the sacred and the profane is interestingly doubled in this story by a dialectic between spying and hiding, surveillance and escape, suspicion and camouflage.