Rituals and the participation of urban form: Informal and formal image making processes

- By studying the yearly Karaga jatre (ritual) in Bangalore, India ethnographically and spatially, the paper describes the ritual's relevance to urban form, its role in sustaining collective memory and attachment.
- The Karaga ritual, as a visual and spatial narrative, acts as a powerful mnemonic for the city socially and spatially.
- The revival of fragments of the historic city, its older axes and neighbourhoods, creates a unique narrative that provides access to spatial stories, acquisitions of power, and site histories.
- The intertwining of the real and storied world in the case of the Kargara festival, is a spectacle that transforms an everyday urban landscape to one where an alternate imagery of the city plays out.

The author through this paper hypothesis that the role urban form plays in the act of rituals contributes to an urban imagery that is embedded in various formal and informal socio-spatial processes and practises. By studying the yearly Karaga jatre (ritual) in Bangalore, India ethnographically and spatially, the paper describes the ritual's relevance to urban form, its role in sustaining collective memory and attachment, while conveying the process of urban image making.The Karaga ritual, as a visual and spatial narrative, acts as a powerful mnemonic for the city, where a rekindling of an affiliation between its people, its urban form, and memory occurs. Over a period of eleven days annually, public and semi-public spaces within the historic core transforms to accommodate over twenty thousand people creating a powerful urban imagery. By expanding on the urban performance of the ritual and linking it to an urban imaginary of the megacity of Bangalore, this paper explores the transformation and making of urban public space, and the various tactics involved in creating this temporary urban spectacle.