Friction in the interstices: Emotion and landscape in Stone Butch Blues

This article analyzes the role of emotion in Leslie Feinberg's Stone Butch Blues. Widely understood as one of the first modern transgender novels, Stone Butch Blues depicts the bodily changes of its protagonist, Jess Goldberg, from living as a “he–she,” to passing as male, to living as neither male nor female. This article analyzes how Jess's body, identity, and feelings shape and are shaped by the spaces ze encounters throughout the novel. Finding that Jess experiences emotions as bodily boundaries and metaphorical geographies, I draw from the work of Sara Ahmed to argue that Jess's decision at the novel's end not to pass as female or male is a choice to push back at the gendered norms of hir world through a body and politics shaped by emotion. Turning to contemporary trans* – transgender, transsexual, and trans – movements for social change, I argue that Jess's politics of bodily and emotional abrasion can help in the development of a trans* politics of emotion.