کد مقاله کد نشریه سال انتشار مقاله انگلیسی نسخه تمام متن
1128307 1488775 2014 20 صفحه PDF دانلود رایگان
عنوان انگلیسی مقاله ISI
The hidden tastemakers: Comedy scouts as cultural brokers at the Edinburgh Festival Fringe
ترجمه فارسی عنوان
معجزه گران پنهان: کارشناسان کمدی به عنوان کارگزاران فرهنگی در فستیوال ادینبورگ
کلمات کلیدی
واسطه های فرهنگی، کارگزاران، پراکندگی استعدادها، کمدی، پایتخت فرهنگی، بوردیو
موضوعات مرتبط
علوم انسانی و اجتماعی علوم انسانی و هنر هنر و علوم انسانی (عمومی)
چکیده انگلیسی


• Explains how a scout's field position affects which comedians they select.
• Explains how field position affects how scouts mediate production and consumption.
• Argues comedy scouts act as hidden tastemakers and heighten taste divisions.
• Questions Bourdieu's separation of sub-fields of mass and restricted production.

Responsible for selecting which new artists are brought to the public attention, talent scouts carry considerable influence in framing performing arts fields. Yet their practices are hidden from public view, and how and why they select fledgling producers remains mostly unexplored in cultural sociology. This article aims to demystify the work of such gatekeepers by examining temporary comedy scouts operating at the Edinburgh Festival Fringe. The Fringe is the world's biggest arts festival and a central tradefair for the British comedy field. Drawing on ethnographic observation and interviews with nine comedy scouts, I examine the positions they occupy in the comedy field and, in turn, how this positioning affects which comedians they propel. I then interrogate the brokerage enacted by scouts. Centrally, I argue that, while some broker between artists and management, all scouts are implicated in mediating between artists and audiences. In particular, they act to intensify comedy taste boundaries—making judgments based on assumptions about imagined audiences and directing more legitimate comedians to privileged audiences and vice versa. In this way, scouts act as hidden tastemakers, intensifying the scarcity of certain tastes and strengthening the ability of privileged audiences to use comedy in the claiming of cultural distinction.

ناشر
Database: Elsevier - ScienceDirect (ساینس دایرکت)
Journal: Poetics - Volume 44, June 2014, Pages 22–41
نویسندگان
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