La dette insolvable de la mort du Père dans Aurélia de G. de Nerval : plainte romantique ou mélancolique ?

The fault and the guilty are a matter of a debt, left by his ancestors, family and homeland, a debt at the same time of life and dead, impossible to settle, which eventually destroys the link of which it is essential. This omnipresent fault always seems to relate, directly or indirectly, to a content, which we can summarize by the decay of the Father, and the indifference of a guilty world towards this dismissal. The writer tries then to build an image of the Third on a delirious mode. If the collective tragedy consists in this decay of the figure of the Father, the tragic staff is to have “wanted” desperately to make the Father resuscitate as first cause, divine whole lot causes of causes, creator of the world and original point of a universal filiation.